The best city in the world has inspired some of the best music ever written and recorded. From Sinatra’s “New York, New York” to Jay-Z’s “Empire State of Mind,” songs about New York City span genres and generations.
So whether you’re a tourist visiting New York for the first time, a native feeling homesick for the Big Apple, or a New Yorker on your way to work, here’s a Top 10 playlist, in no particular order, with some crowd pleasers and other lesser known songs sure to please. “Start spreading the news…”
While this song is often credited to ’Ol Blue Eyes, it was originally written for and performed by Liza Minnelli in Martin Scorsese’s 1977 film New York, New York.
Sinatra recorded it two years later, but since then his rendition has become the unofficial anthem of New York City. The upbeat orchestration and nostalgic lyrics (“I want to be a part of it…”) make it a must sing-a-long song for New Yorkers and visitors alike.
Recorded in 2009, Jay-Z’s huge single quickly became a favorite of New Yorkers, hip hop lovers or not. The only problem with the track was the level of inundation at NY sports stadiums, radio stations and any public event expressing NYC pride, which left even some Jay-Z fans tired of his hit.
Still, with Alicia Keys’ awe-inspiring chorus, the track’s excellent production, and Jay-Z’s aptitude for rhyming about his hometown, there are few better ways to get bar patrons celebrating their city than playing this song loud. You can tell by his attitude, Jay-Z is most definitely from New York.
On the second track off his 1962 debut self-titled album, Dylan quite literally talks about “New York town” and plays the harmonica and guitar in a classic folk progression. He sings about coming to New York, the cold winters, coffeehouses in Greenwich Village, and how one man told him he sounded “like a hillbilly.”
Dylan also talks about the downside of NYC living, similar to his “Hard Times in New York Town,” in which he comments about urban poverty, social isolation and the difficulty of moving from the country to the city.
While Joey Ramone Place is at the corner of the Bowery and E. 2nd St. outside the old address of CBGB, the corner of 53rd St. and 3rd Ave. is forever immortalized on the Ramones self-titled first album.
The lyrics by bassist Dee Dee Ramone allude to a spot in Manhattan known for male prostitution in the 1970s. Today the corner is cleaned up, but the bare bones punk of “53rd and 3rd” continues to recall a grittier aesthetic in NYC history.
This song was covered by Aretha Franklin and the Mamas and the Papas, but the 1961 original sung by Ben E. King (formerly of the Drifters) remains the most memorable version, a result of King’s resonant vocals and the catchy orchestration, including Spanish guitar and marimba.
The red rose growing in Spanish Harlem refers to a woman who only comes out at night, mysterious, “but soft and sweet and dreaming,” like the city personified. The song is a mix of musical styles, a melting pot tune that topped the charts when Franklin rerecorded it in 1971.
According to Strokes frontman Julian Casablancas, a girl named Nina couldn’t stop saying, “New York City cops, they ain’t too smart.” But the NYC-based band’s debut album was released soon after 9/11, and the Strokes decided to remove the track from the U.S. version, replacing it with “When It Started.”
While some fans claimed self-censorship, the Strokes are known to perform the song live (including in NYC), despite the refrain’s taunt at the NYPD. The riff is too good to stop playing the song over some socially sensitive lyrics.Hear The Strokes perform "New York City Cops."
“I remember you well in the Chelsea Hotel,” Cohen croons over noodly guitar, lamenting lost love and isolation in the infamous NYC hotel, which roomed countless artists, poets, and musicians.
The Canadian singer-songwriter tells us of a less idealized New York through his signature morose poetry and longing monotone. The Chelsea no longer accepts hotel guests, but it’s still the home of full-time residents, and remains an inspirational NYC landmark.
The iconic photographs of Lennon wearing his “New York City” T-shirt or flashing the peace sign in front of the Statue of Liberty are probably better known than this track. Surely, Strawberry Fields in Central Park is more popular than this song.
But in between chants of “New York City” and “Que pasa New York?” Lennon sings the city’s praises and tells the story of how he and Yoko came to make NYC their home. This fast-paced rock song is Lennon’s ode to New York.
Jones, originally from Brooklyn, and a New Yorker still, knows about the degrees of separation that can form between residents of different boroughs, lovers or not.
From Scott-Heron’s 1976 double album with Brian Jackson, the soulful jazz track has a groove as smooth as the vocals “New York City / I don’t know why I love you / could be you remind me of myself.” The Bossanova-like breakdown comments on the multicultural makeup of NYC and then comes back to a bluesy piano-horn-bass-drums concoction, subsumed by Scott-Heron’s poetic words.
He expressed some cynicism in “New York Is Killing Me” from his final album “I’m New Here,” but as Scott-Heron sang on “New York City,” “The music from every nation / helps make the island one.”